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Oona Wilkinson’s work explores the anonymous inherited furniture of rented accommodation, gesture and the increasing difficulty of placing ourselves in space and time. Weaving together multiple references to the conditions of shared space and how it informs our relationships to the filtering and re-remembering of personal archives. Through sculpture, photography and installation her work draws on the methodologies of industrial design and non linguistic forces. Utilising different modes of knowledge production to examine the emotional detritus of the conditions that underpin our experiences.
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