Oona Wilkinson is an artist from South London living in London. Recent projects include: Wake, New Art Projects, London, 2025, Bearings, Calico, London, 2024, Unfolding the Horizon, St Fanourios Project Space, Cyprus, 2024; The End, Provisional school for Nothing Festiva(u)l(a), Sabóia, 2024; a borrowing of bones, Slugtown at Paradise Works, Manchester, 2024; Rumour Glue, Recent Activity, Birmingham, 2023; Killing Time and Other Crimes, Conditions, Croydon, 2023; The Patriot, O’Flaherty’s, New York, 2022; Late Works: Preparations, Cafe Otto, London 2021; Reality Check, Las Palmas, Lisbon, 2019.

Wilkinson’s work explores the anonymous furniture of rented accommodation, intimate gestures of proximity, and the difficulty of locating ourselves within shifting support systems. Artifice, hospitality, and rhythm recur as points of orientation for thinking through the conditions of shared space and how they shape our relationships to the filtering and re-remembering of personal archives. Working across sculpture, photography, and installation, she uses methods from industrial design and non-linguistic processes to examine the emotional detritus that runs parallel to experience, searching for the lines where the vandalistic meets the votive.